Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation.During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design.Tags: Is An Analytical Paper A Research PaperWorst Essay IntroductionsShoe Business PlanObama Healthcare Reform Research PaperSelective Breeding EssayFilm Techniques In Blade Runner EssayOnline Creative Writing Certificate Programs
She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows.
The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."Paula Deitz is Editor of the Hudson Review.
He proposes that we rethink design in terms of a new definition of the practices of everyday life. " magazine Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global.
He proposes that we rethink design in terms of a new definition of the practices of everyday life.
Rare is the text that can match this feat, but in her sumptuous essay collection, Deitz more than meets the challenge, crafting worlds so precise in their detail and lush in their imagery the effect is as dazzling as any rendered by an artist or photographer.
Here are the iconic gardens of the world—the Taj Mahal's Moonlight Garden, Versailles, Kew Gardens—laid out in verdant glory that is made richer for Deitz's insider revelations of arcane aspects of design or development.Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the 19th through the 21st centuries.He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius’s Trained as an art historian but viewing architecture from the perspective of a “displaced philosopher,” Hubert Damisch offers a meticulous parsing of language and structure to “think architecture in a different key,” as Anthony Vidler writes in the introduction.The house is not merely a home but a position for negotiations with multiple spheres – the technological as well as the physical and the psychological.In , Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies.As a writer and cultural critic in the fields of art, architecture, design, and landscape design, she is a frequent contributor to the The New York Times, The Architectural Review, and Gardens Illustrated.The Second Digital Turn: Design Beyond Intelligence by Mario Carpo Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture. But today's digitally intelligent architecture no longer looks that way. In , Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adopted—no longer tools for making but tools for thinking. In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scale—a flat marginal cost society where bigger markets will not make anything cheaper. But today, the unprecedented power of computation also favors a new kind of science where prediction can be based on sheer information retrieval, and form finding by simulation and optimization can replace deduction from mathematical formulas. Designers have been toying with machine thinking and machine learning for some time, and the apparently unfathomable complexity of the physical shapes they are now creating already expresses a new form of artificial intelligence, outside the tradition of modern science and alien to the organic logic of our mind. " The Second Digital Turn: Design Beyond Intelligence by Mario Carpo Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture.He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius’s A Question of Qualities: Essays in Architecture by Jeffrey Kipnis Preface by Alexander Maymind Jeffrey Kipnis’s writing, thinking, and teaching casts architecture as both an intellectual discourse and a lived, affective experience.His essays on contemporary architects are less about making critical judgments than about explication, exegesis, and provocation. No matter what the subject is that catches Deitz's fancy, she always manages to draw her reader in without pomposity or jargon."—Landscape Architecture Magazine"In over 70 essays, covering places and people all over the world, Deitz fuses her emotional response perfectly with what must have involved a massive amount of historical, horticultural and literary research.And, as we have seen, the best of Deitz is very good indeed."—New Criterion"When it comes to gardens of lavish beauty, a picture may truly be worth a thousand words.