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Readers must assume that they are reading a biased interpretation of events as they view them through the author’s eyes.The basic facts are there, but the author is reporting his or her own version of those facts..pass_color_to_child_links a.u-inline.u-margin-left--xs.u-margin-right--sm.u-padding-left--xs.u-padding-right--xs.u-absolute.u-absolute--center.u-width--100.u-flex-align-self--center.u-flex-justify--between.u-serif-font-main--regular.js-wf-loaded .u-serif-font-main--regular.amp-page .u-serif-font-main--regular.u-border-radius--ellipse.u-hover-bg--black-transparent.web_page .u-hover-bg--black-transparent:hover.
magazine, sums it up best: “This is perhaps creative nonfiction’s greatest asset: It offers flexibility and freedom while adhering to the basic tenets of reportage.
In creative nonfiction, writers can be poetic and journalistic simultaneously.” Creative nonfiction is a genre that holds great creative possibilities.
It involves the use of factual events or characters to create dramatic nonfiction using techniques such as dialogue, scenery, and point of view.
It combines the fact-finding of journalism with the literary techniques of the fiction writer to create a dramatic story that just happens to be true.
Revealing that Johnny from the bank is actually a mob snitch, even when the facts are true enough, can lead to physical harm to Johnny and legal hot water for you.
And be prepared for an invasion of privacy lawsuit if you are exposing embarrassing or private facts about a person, even if they are truthful.
If the same author wrote a biography about her great-grandfather, she has some license to fill in the blanks, as long as it doesn’t affect the outcome of the story.
She most likely doesn’t know what her great-grandfather’s farmhouse looked like on the inside or what he liked in his coffee—ethically, the author has the right to create dialogue and other “facts” that make up the creative element of creative nonfiction.
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