Whitman proceeds from the face to other parts of the body, describing movement and grace as seen in people of all ages and walks of life: grown men, babies, women, girls, swimmers, wrestlers, laborers, the “farmer’s daughter,” “two apprentice-boys.” He concludes by again proclaiming his unity with them all: “I loosen myselfam at the mother’s breast with the little child,/ Swim with the swimmers, wrestle with wrestlers.” ...(The entire section is 638 words.) (the first edition appeared in 1855) stood nineteenth century poetic convention on its ear.
Whitman proceeds from the face to other parts of the body, describing movement and grace as seen in people of all ages and walks of life: grown men, babies, women, girls, swimmers, wrestlers, laborers, the “farmer’s daughter,” “two apprentice-boys.” He concludes by again proclaiming his unity with them all: “I loosen myselfam at the mother’s breast with the little child,/ Swim with the swimmers, wrestle with wrestlers.” ...(The entire section is 638 words.) (the first edition appeared in 1855) stood nineteenth century poetic convention on its ear.
Tags: Globalisation Of English EssayWit Essay QuestionsCollege Essay HeaderHow To Become A Creative Writer TeacherEssay On Reflection PaperCareer Research Paper OutlinePoint Of Sale And Inventory System ThesisZadie Smith Essay Speaking In TonguesPaper EssayEducation Technology Research PaperThe first four lines speak of the connectedness of everyone the poet loves; the next four are a series of rhetorical questions that stress the evils of corrupting the body and proclaim a direct link between the body and the soul: “And if the body were not the soul, what is the soul?
” Section 2 states that the body of the male and of the female is “perfect” and that the expression of the human face “balks account”—its beauty simply cannot be explained.
Now if this doesn’t intrigue you, then I’m simply not doing justice to a most intriguing tale.
I hope you’ll join us next week for ‘I Sing the Body Electric.’” George Rogers struggles to keep his family together after the death of his wife.
The poem—in the final, 1892 edition of discussed here—is composed of nine numbered sections of free verse.
The title, joyously proclaiming the poet’s intent, is also the first line of section 1, which introduces the poem.
Anne, the middle child, despises the idea of someone, or something, taking the place of her mother, whose death has elicited great anger in the young girl.
The other family members, however, agree to give it a try.
Anne rushes into the path of oncoming traffic but Grandma shoves her out of the way in time. After this frightening situation, Anne finally accepts Grandma.
“As of this moment the wonderful electric grandmother moved into the lives of children and father.
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