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Many use more than one kind: She sinks her eight ball, drinks me under the table. Each sweet syllable seems like there ought to be a crush of sugar on your tongue, a tiny reward just for saying the word.These milk-balls, fried golden and soaked in sugar syrup, are glassed up in a luxuriously oversized jar that my grandmother collects under her spice table to store homemade mango and spicy lime pickles.
(Aimee Nezhukumatathil, from “Gulabjamoon Jar”) I loved him most when he came home from work, his fingers still curled from fitting pipe, his denim shirt ringed with sweat and smelling of salt, the drying weeds of the ocean.
(Dorianne Laux, from “The Shipfitter’s Wife”) On things asleep: No balm : A kingdom of stinks and sighs, Fetor of cockroaches, dead fish, petroleum, Worse than castoreum of mink or weasel, Saliva dripping from warm microphones, Agony of crucifixion on barstools.
Reviewing, you should see that the literary genres—poem, essay, novel, are replete with images. A diary keeps track of something—experiences, feelings, observations, and is usually kept private.
Remember the differences between journaling and keeping a diary discussed in chapter 1?
(Theodore Roethke, from “The Longing”) I am a man of many heads.
Each one capable of loving you, each one unwrapping your paper delicately by hand, slipping my fingernail beneath your coating till I can feel the smooth skin of your nakedness.Barbie squeezes the small opening under her chin over Ken’s bulging neck socket.His wide jaw line jostles atop his girlfriend’s body, loosely, like one of those nodding novelty dogs destined to gaze from the back window of cars.To put it simply and directly, creative writing is the language of images. a : something seen in a dream, trance, or ecstasy; especially : a supernatural appearance that conveys a revelation b : a thought, concept, or object formed by the imagination c : a manifestation to the senses of something immaterial The second and third definitions reflect the impact of poetic images on a reader. The clouds appeared, and went away, and in a while they did not try any more. I might miss the taste of your smoky breath, might think again of your pale blue eyes, an unsure December sky, your fingers, my waist, your thumb on my hip bone, your unshaven face. There are, of course, numerous ways to identify which passage belongs to which genre. William Carlos Williams defined the poem as “a small (or large) machine made of words.” (He added that there is nothing redundant about a machine.) Wallace Stevens characterized poetry as “a revelation of words by means of the words.” In his helpful essay “What is Poetry? Auden said, “a poem is a verbal artifact which must be as skillfully and solidly constructed as a table or a motorcycle.” The true poem has been crafted into a living entity. There is always something mysterious and inexplicable in a poem.Whereas other forms of writing like news articles, academic essays, and instruction manuals relay information from the writer to the speaker in order to inform or instruct, in fiction and poetry images are how we translate the world into a text so that a reader may experience. defines as “a mental picture” which we as writers see through the mind’s eye. These poetic images produce vision in the reader by manifesting “to the senses” “something immaterial.” In other words, a reader’s senses react to the vision, or images of an “object,” created by the poem as though that object were actually real. The weeds grew darker green to protect themselves, and they did not spread anymore. Just pushed the mile counter and Poof, you were gone. How you told me I was beautiful, how you told me you were willing to stick all the way to the coast. And I imagine that when you formulated your answers, you relied on multiple evaluations of tone, form, and diction. But now, go back through the passages and notice the use of images, or lack thereof. ” linguist Roman Jakobson declared: “Poeticity is present when the word is felt as a word and not a mere representation of the object being named or an outburst of emotion, when words and their composition, their meaning, their external and internal form, acquire a weight and value of their own instead of referring indifferently to reality.” Ben Johnson referred to the art of poetry as “the craft of making.” The old Irish word , meaning “craft, craftiness.” Two basic metaphors for the art of poetry in the classical world were carpentry and weaving. It is an act—an action—beyond paraphrase because what is said is always inseparable from the way it is being said.We do not read about George Trakl’s experience on the water in the poem “Sun”; we are there ourselves.Click on the following link to read Gary Snyder’s poem “The Bath.” Lines 1-9 are a good example of how the senses may be activated in multiple ways from one image.What types of interpretations does this image invite? And this engagement doesn’t happen by sharing ideas, feelings, or experiences, by telling the reader about your experiences—it happens by creating them on the page with words that evoke the senses. The adage “Show don’t tell” is shorthand for the most important tenet of creative writing. The sun flared down on the growing corn day after day until a line of brown spread along the edge of each green bayonet. We licked enchiladas from the crescent moons of each others’ chins. In the excellent glossary in his book How to Read a Poem and Fall in Love with Poetry, poet came into English in the sixteenth century and has been with us ever since to denote a form of fabrication, a verbal composition, a made thing. Hanlon, the president, said the college would create new spaces for social activity as alternatives to Greek houses, give faculty members more of a role in residential life and provide students more extensive training on preventing sexual assault. Not so in the case of the text message, diary entry, news article, or advertisement. To understand these ways of writing, we should consider their purposes. In fact, in the above example, the writer hyperbolically states that if Jack were to read her diary she would die. In the case of the news article and advertisement, the point is to provide information. In fact, the answer might depend on time and culture. Whether it’s the snowflake melting on a rug in the opening of my poem “The Hitchhiker” (6), or the sun glaring down “until a line of brown spread along the edge of each green bayonet” in John Steinbeck’s opening paragraph to his novel Grapes of Wrath (4), or “the counter’s long polished sweep, its shining face” in Naomi Shihab Nye’s essay “Mint Snowball” (7), we as readers enter the world of the text through its images which evoke our senses. Since the only intended audience for a diary is the writer him/herself, there is little if no attention given to how the writing will affect an outside audience.