Research Paper On Leonardo Da Vinci

Research Paper On Leonardo Da Vinci-2
His unreliability was so well known that the Duke of Milan wished to have Leonardo sign a contract obliging him to finish a work ‘within the stipulated period’ (Kemp, 2006).When the Duke capitulated in 1499 and parted ways with da Vinci after almost 20 years of service, Leonardo admitted in his diary that ‘none of his projects had been finished for him’ (Vecce, 2006).

His unreliability was so well known that the Duke of Milan wished to have Leonardo sign a contract obliging him to finish a work ‘within the stipulated period’ (Kemp, 2006).When the Duke capitulated in 1499 and parted ways with da Vinci after almost 20 years of service, Leonardo admitted in his diary that ‘none of his projects had been finished for him’ (Vecce, 2006).

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Together they studied the human body and performed dissections that Leonardo beautifully depicted.

This was the only period in his anatomical career during which Leonardo ‘was able to attain a balance between detail and coverage’.

Leonardo’s first important commissioned works, some obtained through his father’s connections, were prepared at length but quickly abandoned. Leonardo's struggle to work independently as an artist might also explain his unduly prolonged stay in the Verrocchio workshop lasting until the age of 26 when he probably managed to set up his own independent studio in Florence.

On 10 January 1478 he received his first recorded commission as an independent painter, a large altarpiece to hang in the Chapel of San Bernardo.

We do not know in what state of mind Leonardo left Florence but it is possible that he felt ‘a sense of failure and frustration—his paintings unfinished, his lifestyle controversial, his reputation a mix of brilliance and difficulty’ (Nicholl, 2004).

For comparison, by the same age, Raphael had already realized more than 80 paintings, including large frescos in the Vatican.

But some of the words written about Leonardo after he died at Clos-Lucé in France on , hint at a very different man to the one many of us presume to know.

According to his first biographer Giorgio Vasari, Leonardo died lamenting ‘that he had offended God and mankind in not having worked at his art as he should have done’ (Vasari, 1996; Nicholl, 2004; Vecce, 2006).

Alone, Leonardo never managed to organize his large number of anatomical drawings into coherent material for publication.

In his notebooks he dishearteningly annotated: ‘It is easier to resist at the beginning than at the end’.

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