Silence Definition Essay

In doing so, he is easily able to communicate the torture, terror and emptiness that each of the Holocaust victims endured. As for my mother, she was walking, her face a mask, without a word, deep in thought.Wiesel uses his writing to sample the void that filled him and his fellow Jews: the loss of faith, identity and life are inherent ideas that embody this void. I looked at my little sister, Tzipora, her blond hair neatly combed, her red coat over her arm: a little girl of seven.” (Wiesel, 19).And yet, how impossible to maintain this state of mind in practice—to hear the song of the wood thrush and the scream of a frightened child with the same degree of composure and openness.

In doing so, he is easily able to communicate the torture, terror and emptiness that each of the Holocaust victims endured. As for my mother, she was walking, her face a mask, without a word, deep in thought.Wiesel uses his writing to sample the void that filled him and his fellow Jews: the loss of faith, identity and life are inherent ideas that embody this void. I looked at my little sister, Tzipora, her blond hair neatly combed, her red coat over her arm: a little girl of seven.” (Wiesel, 19).And yet, how impossible to maintain this state of mind in practice—to hear the song of the wood thrush and the scream of a frightened child with the same degree of composure and openness.

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Wiesel’s father is an important man in the community, it is part of his job to mask his feelings.

At every moment we are bombarded by sound waves, light waves, gamma rays, x-rays, the solar wind.

In the novel Night, Elie Wiesel uses the recurring themes of night and silence to reinforce the ideas represented by the characters and scenes of the text.

Throughout his writing, Wiesel connects the terrifying scenes of the Holocaust using these themes.

Zen Buddhism had been an influence on Cage for years, and other ideas and influences came along as the years went by, among them a conversation that had a tremendous impact on the way Cage thought about music: Cage asked an Indian student who was studying with him what the purpose of music was, and she replied that the purpose of music, according to her (Indian) teacher, was The composition was finally “performed” by pianist David Tudor in a concert for the Benefit Artists Welfare Fund (a sophisticated audience that was familiar with and supported contemporary art), in Woodstock, New York.

The concert hall was open to the forest in back, allowing outside sounds to enter the space.

Is silence, then, a decision not to listen to intended sounds: music, voices, sound effects, or any human generated sound to which we listen for a purpose, even if that purpose is enjoyment?

Does listening to random sounds we do not intend to hear—the drone of an airplane engine, a dripping faucet, the roar of a bus pulling away from a stop—constitute the experience of silence?

Cage thought that , that state of being which is the closest we can get to silence, had to dispense with likes and dislikes; that to inhabit this state of mind, we cannot listen to what we want to hear and filter out what we don’t (5–6).

We must, instead, listen to every sound that chance brings to us, be it birdsong, foghorn, gunfire, or the cracking of whips.