Let us examine the most effective techniques of analyzing classic and/or experimental movies.
Firstly, one should examine the logic of actions in the script: what a character does and what she thinks, what targets are appointed and what troubles are faced.
Since, according to this view, the cinematic material is supposed to be perfectly transparent, the screen, therefore, is nothing more than a window opened onto the world.
One of the most important problems of writing a movie review is an insufficient understanding of creative tasks that the author faces.
A great movie review entertains, apprizes and stimulates an audience, supplying readers with various independent ideas and eschewing supervacaneous spoilers and baseless comments.
Moreover, an excellent movie review should be a work of art that has at least the same cultural value as the movie itself.
Then, suddenly, a thought comes into their mind, one that you might have had yourself and more than once, “I need to get my homework done, but I have no time for it!
” Not a pleasant situation, but not a hopeless one.
Certainly, it is a commonplace that the filmmaking industry occupies one of the central positions in the life of each modern person.
Hereby, we cannot regard the ‘movie’ concept as ‘ding an sich’ because each movie generates a set of closely related, cobwebbing cultural artifacts and interdisciplinary repercussions.